![]() ![]() Here are the GoPro camera specs and capabilities to consider keeping on your short list. Some big differences exist across the GoPro product line, including features that are worth paying extra for. Premium models can film in 4K at higher frame rates, like 60 frames per second (fps), which results in smoother, more realistic video. Most GoPro cameras can film in 4K (3840 x 2160), but older models are limited to standard HD (1920 x 1080). Having a library of geo-tagged content can be fun for tracking all of the different locations you and your GoPro camera visit, but it’s not supported by every model, so keep track of which models do (and don’t) have GPS. Plenty of outdoor adventurers love geo-tagging their content so others can see the exact locations of their footage. Do you want to tag your videos and photos with GPS locations? On the other hand, if you’ll only be using your camera for an hour or two at a time, you can save money by getting a model without a user-replaceable battery. If you buy a GoPro camera with a swappable battery, you can keep extras with you, so you’ll never miss filming the perfect moment. If you need a camera for camping or several days away from home, you’re going to want the former. Some GoPro cameras have user-replaceable batteries, and some don’t. Do you need a camera that can survive multiple days away from a power outlet? Then, find the model that best matches your needs. Before you start comparing GoPros, consider these questions about how you’ll use yours. Top considerations when choosing a GoPro cameraĪll GoPro cameras take high-quality video, but each model is designed with specific use cases in mind. And taking 4K videos now means you’ll have plenty to watch when you upgrade to a 4K set. The videos will still play on a standard HDTV but will be downscaled for lower-resolution screens. HDR metadata packing, HLG and PQ transfer characteristics.Even if you don’t own a 4K TV, it’s still worth it to get a GoPro that records videos in 4K. SDI Video SamplingĨ, 10, 12-bit RGB 4:4:4 in all modes up to UHD 30p, and 8, 10-bit YUV 4:2:2 in all modes Color Space Television standard sample rate of 48 kHz at 24‑bit. RP 188/SMPTE 12M-2 and closed captioning. PCI Express 8 lane generation 2, compatible with 8 and 16 lane PCI Express slots with HDMI or SDI mezzanine card. Serial ports TxRx direction reversible under software control. Sony™ compatible RS422 deck control port. HDMI Audio InputsĨ Channels embedded in SD/HD/4K HDMI Audio OutputsĨ Channels embedded in SD/HD/4K. HDMI type A connector with support for 2160p60. SDI Audio Outputsġ6 Channels embedded in SD/HD/2K/4K. AES/EBU Audio Outputsġ6 Channels embedded in SD/HD/2K/4K. AES/EBU Audio InputsĢ Channels unbalanced with sample rate converter. Optical Fiber Inputs/Outputs (Optional)Ģ x 12Gb/s Optical Fiber. Analog Audio OutputsĢ Channels of professional balanced analog audio via XLR connectors. Analog Audio InputsĢ Channels of professional balanced analog audio via XLR connectors. Analog Video Outputsġ x Component YUV on 3 BNCs switchable to S-Video and Composite. Analog Video Inputsġ x Component YUV on 3 BNCs switchable to S-Video or Composite. 18dBu at 50Ω load (for monitoring purposes only). ![]() SnR Signal to Noise Ratio: Transparent film base -65dB (measured with flat weighting). Audio Sampling Rate and Bit DepthĤ8kHz 24 bit PCM WAV file Optical Audio 35mm 24fps film frame rate has a 30fps maximum scan speed and 16mm film has a 12fps lower limit.
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